Friday, April 17, 2015

Story Seed - Survivor

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The last thing I ever saw was the darkening sky as millions of billions of tiny specks filled my vision, clouding out all light. The Iron Wind howled around me, tearing into my flesh, digging into the ground, infiltrating the substance of everything around me. That was the last thing I heard. The smell and taste of metal overwhelmed those senses before they too disappeared forever. The pain however, the pain just went on and on, a current of agony that stuck me and carried me away, never relenting, never releasing me. Only submerging into the unfeeling numbness of unconsciousness saved me from insanity.

Some time later, I have no way to know how long, I emerged from the darkness, reaching for awareness and finding that I could still think, still feel. I was blind and deaf. I could neither smell nor taste, and I still do not know if I even have a mouth or nose. The pain was gone at least, replaced by nothing. Not numbness, I was aware of my body, I could feel it, but I could feel nothing beyond it. It was as though floating in the air.

With only the barest sensation of temperature, and nothing more, I became lost in my own mind, adrift in my thoughts. I don't know how long I have been like this, I don't know how much longer I can go on like this.

Please. Help me.

Wednesday, April 15, 2015

Nuts & Bolts #28 - Infinitely Repeating

Fractals. Fractals are patterns that repeat infinitely and look the same at all scales. That is, of course, a highly simplified definition, but the point is fractals are repeating patterns where the components of the whole are identical, or nearly so, to the whole. There's all kinds of interesting math involved with true fractals, but I'm not a math major, and this isn't a science blog. So why bring fractals up at all? Well they are useful in RPGs that's why...

Observing the Pattern

I first became aware of the uses of fractals in gaming through reading FATE Core. It's probably not the first time I had seen it, but it was certainly the first time it was called out. Fate operates on a system of "aspects" short descriptive phrases that detail key aspects of a character, or a thing, or a place, or a group, etc.  That's the fractal at work.

Of course that's oblique as hell if you don't know Fate so let me explain that system a bit ...

Characters in Fate have, at a minimum, two Aspects; a High Concept, and a Trouble. The High Concept aspect is something that sums up the whole character is a single phrase. Consider a phrase like "Chicago's only wizard private eye" for a character like Harry Dresden. It gives you a good idea of who the character is and what he can do. "Captain of the USS Enterprise" might be a good concept for Captain Kirk (or Capt. Picard for that matter).

The Trouble aspect is something that generally causes trouble for the character. It could speak to a character flaw "Gambling addict", or a character strength "World's only honorable thief". Harry Dresden might have "Strapped for cash" as a trouble since he is always scraping by, while Kirk might have something like "Leads with his heart". A trouble isn't always a bad thing, but its something that can be leveraged against the character at least as often (and usually more often) as it can be leveraged for them.

Additional aspects can be given to a character to further define them. Generally in Fate games this is limited to a total of five (high concept, trouble, and up to three others). With a good set of aspects a character can be detailed quickly and easily with minimal mechanical requirements.

Scaling Up, Scaling Down

Now here's where Fate employs the fractal concept: anything you can describe can be done so with a High Concept and a Trouble. The USS Enterprise might be the "Flagship of the Federation" and "Where no man has gone before". The Rebel Alliance in Star Wars might be both "Rebellion against the Empire" and "Outmanned and outgunned". While an item like the Hope Diamond might be "The most famous diamond in the world" and "Cursed with misfortune and death".

This can be taken farther, you can apply skills and health to these things as well. A starship might have "skills" representing its systems; Sensors, Weapons, Engines, etc. If you remember to scale ships against each other you could easily establish an easy to use hierarchy. Organizations can have skills as well, skills like Diplomacy, Negotiation, Trade, Military, and the like.

Health is easy for ships, you can have points for Shields, Hull, and Energy; this is pretty easy to grasp since we already do this in many games. Organizations however might also have "health" type statistics like Influence, Resources, Morale, and such. During a war an organization may take damage on its Morale and Resources after losing battles for instance.  It's all the same basic idea under the names.

The Big Picture

Once you grasp the basics its easy to look at something and really see the fractal begin to unfold at multiple levels. Here's an example I used a few weeks back:

  • The Federation
    • High Concept: Interstellar United Nations
    • Trouble: Enemies at the Gates (Klingons, Romulans, etc,)
    • Skills: Diplomacy, Negotiation, Trade, Military, etc
    • Health: Influence, Resources, Morale
    • "Equipment" USS Enterprise NCC 1701
      • High Concept: Flagship of the Federation
      • Trouble: Exploring Beyond Human Space
      • (other aspects as needed)
      • Skills: Sensors, Weapons, Engines, etc.
      • Health: Shields, Hull, and Energy
      • "Equipment" Capt. James T Kirk
        • High Concept: Captain of the Enterprise
        • Trouble: Goes on Away Missions Himself. (seriously what kind of organization risks its command officers on scouting?)
        • Aspect: Have Phaser Will Travel
        • Skills: Command, Fighting, Carousing (specialty with aliens)
        • Health: Physical, Mental
        • "Equipment" Phaser Mark 2
          • High Concept: Phased Energy Rectification Pistol
          • etc, etc,
At any given point in that tree you can essentially fully define that discreet section as a "character" and that applies up and downward. Certainly it's odd to think of Captain Kirk as "equipment" for the Enterprise, but I could just as easily defined the entire crew as a level between the ship and Kirk. Likewise the Starfleet could be inserted between the Enterprise and the Federation. That could even be broken down further, with Starfleet as a whole containing multiple armadas or such. Above the Federation you could detail the Alpha Quadrant, and then above that the Milky Way if you had reason and need to do so.

You needn't feel rigidly beholden to the formula either. It's reasonable that a Phaser wouldn't have skills and may not need health. It's even possible that there may be no reason to detail a phaser to this level at all. The idea isn't to be slavish to the design, but to use the fractal concept to its strengths.

Different Picture, Same Idea

Fate isn't the only RPG that can utilize a fractal concept. To a certain extent most games use parts of this idea. Vehicles have statistics like strength and speed and health in some form or another. Recognizing the fractal and understanding how you can use it in your games are different things though. Understanding and employing the fractal paradigm can help you to provide more definition to your games, allow for interactions between characters and their environment, groups within the setting, and beyond.

The Cypher system, for example, already uses a ten level scale for objects, difficulty of tasks, and NPCs of all kinds. Much of the same rules for NPCs could be applied to groups like the Estate in The Strange or the Angulan Knights in Numenera. Give the organization a level, and through that a difficulty, detail some skills that it can leverage, assign it some "health", some damage it can inflict when it attacks other organizations, etc.

Granting this level of detail to a group or groups within your campaign will allow you to more easily track how your character's actions impact these organizations. If a PC group is hellbent on destroying the Marish clan in Qi, their actions will serve to deal damage to the clan's "health". Rather than having an organization "die" when its health is depleted however, you reduce its level, and make it less powerful. Destroying a group could become an entire campaign as they slowly whittle away at the membership and leadership of the group, stealing their influence, destroying their relationships with other groups, and the like.

Similarly this will allow you to design in elements that may not be present in your game system of choice. The Cypher system doesn't have detailed rules for vehicles, but if I wanted to hack the system for a Star Wars game vehicles would likely be an important part of that game and some degree of rules would be needed for starships and space-fighters.

Hopefully the idea of using the fractal structure for your games makes sense, and maybe it'll inspire your game in some way. It can also help those creating new rules for games to use a conservation of mechanics, keeping things simple, which is better in my opinion. In the end though, whether or not you make use of the fractal structure for your own games will come down to what mechanics you use and personal preference, but I think being aware of it adds another important and useful tool to a GMs arsenal.

Monday, April 13, 2015

Story Seed - Courier Arrival

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The market was alive with sound. The cries of hawkers selling their wares, the haggling of peddlers and merchants, both trying to strike a deal, the sound of beggars and urchins, of people calling to friends, of conversation, of pack animals, farm animals, and pets. The din was such that it filtered down through streets wide and narrow, spilling out into the home of merchants, and the shops of artisans. And everywhere there was noise there were people.

They crammed shoulder to shoulder through the market stalls and the narrow alleys between the stucco coated homes and businesses. They grasped at goods, and inspected livestock. They traded in coins, in jewels, and in raw gold, silver, and ivory. The market goers and the merchants seemed to fill every available space. Every space but the Court of the Winds.

A great expanse of paving stones and dust, the Court of the Winds lay at the heart of the city. The markets spread from its northern half like a great corona.  To the south were the richest of the merchants homes. They stood on either side of a broad avenue paved in great slabs of kiln baked clay that led to the castle of the king. Despite its proximity to the markets the Court stood nearly empty. Clear but for a small handful of liveried stableman and royal pages.

A great shadow passed over the market, and where it fell the din became and noise, and the noise settled into murmur. Great gusts of hot wind blew down from above as the shadow passed over. The merchants and artisans and common folk all looked up, blinking away dust, or shielding their eyes with their hands. The shadow slowed as it approached the Court of the Winds and the hot gusts became a raging gale as great wings stirred the air.

The beast settled in near silence its wings swimming through the air with grace where a birds would beat at it like an enemy. Fifteen feet long and several hundreds of pounds the courier moth alighted on the square with the touch of a feather, the hot air gusting away from it in great billows of dust. Finally it settled, its wings folding up like two great sails, twitching and fluttering. The courier leaped down from his mount just forward of the moth's wings, and began to loosen straps on the bags that were belted to the creature's side. Without realizing he was doing as much he made cooing noises to his mount, calming it while he waited for a handler to come.

On the other side of the creature the market began to stir, the murmur rising to a noise which grew once more into a great din as the market returned to its business. A few merchants sent runners to carry small parcels or letters of order to the Court of the Winds, others sent runners with empty hands, hands expecting to return bearing letters of commerce, or legal papers, or correspondence from friends and family.

Business as usual.